
Victorian-era bud vase circa 1890s. This piece is etched with beautiful leave and floral designs and would have complimented mantels or tables with a single bud.
In honor of our upcoming Fourth Annual Folly Flower Show, this July we highlight a beautiful etched glass bud vase, once owned by the Körner family. This delicate vase reflects the quiet elegance and sentimentality of everyday decorative objects in the late 19th and early 20th centuries.
Made popular from the Victorian obsession with “Floriography,” or the study of flowers, bud vases were a common decorative object for middle-class homes during the late 1800s. Typically made from opaline, satin, or clear etched glass, the small delicate vases optimized Victorian sentimentality as well as the rising consumer culture after the Industrial Revolution. Glass bud vases were often placed on mantels, bedside tables, or dining settings, where they added a subtle but intentional touch of beauty to the surroundings. Their small size made it perfect for conversations, without having to lean around large arrangements. Bud vases were both decorative and accessible, but not overly extravagant, and were a popular gift given during the late-Victorian period.

Slight in form with a gently flared rim and stable circular base in a trumpet style, the Körner family glass bud vase was designed to hold a single bloom or a few small stems, showcasing even the simplest flower as something worthy of prominence in a room. The vase’s surface is adorned with a graceful floral motif, likely achieved through acid etching or fine engraving. The soft, matte quality of the design contrasts with the smooth clarity of the glass, allowing the stylized flower and flowing leaves to stand out without overwhelming the form. This naturalistic decoration aligns with popular aesthetic trends of the Victorian and early Edwardian periods, commonly referred to as the Arts and Crafts Movement, when botanical imagery and delicate ornamentation were widely favored.
As an object once owned by the Körner family, this bud vase offers insight into the layered approach to interior design practiced within the home. Most likely received as a gift for a special occasion, this piece would have been beautiful in any room of Körner’s Folly. Jule Körner, known for his artistic vision and attention to detail, understood the importance of even the smallest decorative elements in creating a cohesive and inviting space. Objects like this vase contributed to the overall atmosphere of the house, demonstrating how beauty was woven into daily life. Though modest in scale, it stands as a meaningful example of how personal taste and design sensibility were expressed through everyday items.
From the Archives – 1974 Folly Flower Show and the Original Circle of 26

In the image above, a newspaper clipping from “The Kernersville News” shows Mrs. Phillip Körner standing with a floral display during the 1974 Folly Flower Show. This arrangement, created by Mrs. Ira Atkins, was displayed in the Dining Room and received the blue ribbon prize. Körner’s Folly Inc. held special events, such as flower shows and other fundraising balls and parties to raise funds for and awareness of historic Körner’s Folly.
Körner’s Folly, Inc. set in motion the restoration efforts of “The Folly” in order to share its wonders with Kernersville, the Piedmont Triad, and beyond. The group helped raise funds for general upkeep and restoration, and even performed maintenance and repairs on the structure themselves, including replacing and painting shutters, mold remediation, and carpentry. The Körner’s Folly Foundation has this group to thank for the beginnings of the preservation and restoration of Jule Körner’s incredible building.
Those members of Körner’s Folly Inc. are as follows: Vernon & Nita Atkins; Mabel, Scott, and Judy Beeson; Solly & Becky Coltrane; Ed & Martha Crawford; Jim & Jo Fitzpatrick; Kenneth Greenfield & Amanda Ritchie; Sallie Greenfield; Chall & Vera Hayes; Ted & Betty Lou Kerner; Philip & Mary Ruth Körner; John Lain; Clarence & Imogene Lambe; Neil & Betsy Oerter; Wes & Darlyne Phillips; Billy Pope; Lawrence & Etta Pope; Hafford, Mary, Joyce, & Bill Porter; Tom & Helen Prince; Elizabeth & Mary Stuart Sparks; Ron Styers; Jim & Mary Turner; W.T. & Clem Walker; Richard & Mary Whitaker; Jack & Betty White; Margaret Wilson, and John, Bobbie, Jack & Polly Wolfe.

The image above was taken inside Cupid’s Park Theatre at Körner’s Folly during the 1970s. Members of the original 26 families sit or stand across the historic stage.






Strawberry Custard Pie